I first heard Rogers & Hart’s “My Funny Valentine” on Rachelle Ferrell’s First Instrument. Right away, I fell in love with song. The words are so elegant: My funny valentine, Sweet comic valentine, You make me smile with my heart.
There are hundreds of versions of this song; notable covers include Chaka Khan’s take (her smoky voice really works), Melinda Doolittle’s American Idol performance, and Cyrus Chestnut’s version (with Anita Baker on vocals). Still, I don’t think anyone sings this as well as Ella Fitzgerald; the lyrics sound so regal coming from her. I guess there’s a reason she’s called the First Lady of Song.
Rodgers & Hammerstein wrote “My Favorite Things” for the Sound of Music. While Julie Andrews’ version is well known, I would argue that Coltrane’s 1961 cut is just as, if not more, well-known and significant. Released on Coltrane’s same-named album, “My Favorite Things” continues the modal exploration from Coltrane’s work on Miles Davis’ Kind of Blue. In addition to the modal rendition, “My Favorite Things” is also notable for introducing us to Coltrane’s work on the soprano saxophone. His solo, along with McCoy Tyner’s piano work, is a work of art.
I was browsing Barnes and Nobles sometime during the summer of 1997 when I came across the simply-titled John Coltrane & Johnny Hartman album. I knew this was an LP that I had to own after hearing the duo cover Bill Strayhorn’s “Lush Life”. I still get goosebumps listening to it. No other version (not even Trane’s solo take) can compare to this recording. Their take is, simply put, the definitive recording of this classic.
I first heard “Good Morning Heartache” in 1993 (on Terence Blanchard’s previously mentioned Billie Holiday Songbook); I didn’t fall for the song until 1995, when I purchased Billie Holiday’s Complete Decca Recordings. The song is mesmerizing. Billie sings each verse as if she’s lived the lyrics.
Good morning, heartache, you ole gloomy sight
Good morning, heartache, thought we’d said goodbye last night
I turned and tossed until it seemed you had gone
But here you are with the dawn
Wish I’d forget you
but you’re here to stay
It seems I met you
When my love went away
Now everyday I start by saying to you
Good morning, heartache, what’s new?
Jill Scott does a decent turn on the song, but nothing beats Billie. Enjoy!
In 2001, my not-quite-my-girlfriend-not-yet-my-wife let me borrow disc three of Frank Sinatra’s Reprise Collection. The disc, covering recordings from 1966-69, included songs from Sinatra’s sessions with Brazilian bossa nova great Antônio Carlos Jobim.
I was already a Jobim fan, yet somehow I had overlooked these recordings. After learning of these sessions, I scoured Napster (back before RIAA started cracking down) and downloaded all of the Sinatra/Jobim recordings. Of those tracks, the Cole Porter-penned “I Concentrate On You” and “Baubles, Bangles And Beads” (written by George Forrest and Robert Wright) are my favorites from the American Songbook (Full disclosure: “Wave” is my favorite recording from the sessions, however, that won’t count in this list since it isn’t part of the GAS).