My love of A Tribe Called Quest’s Midnight Marauders1 starts, like most stories, with a girl.
I was a junior in high school and was on campus late one Saturday evening for an anti-drug rally. There were some girls from a neighboring town in attendance and I had taken a liking to one of them. The rally ended at 10PM, but their ride was late… so I chivalrously (and maybe selfishly) volunteered to wait with them. It was cold, but that’s ok: I let lil’ shorty wear my Starter jacket2 (and didn’t wash it for a month afterward because it smelled like her) while we passed the time by trying guess the hard-to-decipher lyrics to the chorus of “Electric Relaxation”.
“Electric Relaxation” was to 1993 as “I Need Love” was to 1987. Q-Tip was the smooth operator; Phife Dawg was the realist (I love the line: ‘I like ‘em brown, yellow, Puerto Rican, or Haitian’). The beat3 (a masterfully reworked sample of Ronnie Foster’s “Mystic Brew”) was an instant classic4.
Continue reading “My Favorite Albums: Midnight Marauders”
I’m a big fan of the original compositions that color movies. Of the thirty-plus score albums I own, none is as special to me as Bill Conti’s Rocky Original Motion Picture Score.
Dear Questlove,
Sketches of Spain isn’t overly sentimental to me (that honor belongs to the first straight-ahead jazz album I purchased – Terence Blanchard’s Billie Holiday Songbook). Sketches isn’t Miles Davis’ best work (that would be Kind of Blue). Heck, it’s not even my favorite Miles Davis album (Porgy and Bess).
Flashback: December 25, 1988